理性看待创作自由与

理性看待创作自由与专题 · 内容介绍

理性看待创作自由与剧🚕情简介：Ayşe, 🦋Ali, Mehmet 🌟and 🥰Zeynep 🚁are middle-class millennials ♟️struggling 💛to ✈️make ends 🌳meet 📺in Istanbul. 🌆Either still 🍿living 🎁with their 🥁parents or 💙hardly getting 🐱by 🏍️without help 🐧from ⭐their families, 🌒they 🎊are all 🪷beset 🎫by similar 🐝woes: 🏓money crunch, 💡joblessness, social 🌑isolation. 🔔In 🐬view 🏆of 🎳the world’s ⌛horrors that 🎵Zeynep enumerates ⚽in 🌿her 🌍diary entries, 🎉these 🕰️are 🚗minor problems, ‘slight 🪐disasters’, 🧭but 🌤️they are 🦊all-consuming, 🌓at 🐢least to the 💚extent 💫of 🤩making them 🏔️cry 🧩in the ☀️still 🌔of 🏕️the night. 🌹However, Umut 🎻Subasi’s 🎷first feature, 🐯Almost 🏀Entirely a 🤍Slight 🐠Disaster, 🎾is not 🎨a 🚌melodrama. 🌎With an 🌇appealingly light 🦁touch, it 🚲diagnoses 📖the malaise ⛈️of a generation 🌃that ❄️has 🌄run up 🍃against 🎥a dead 🌏end, 🎮one whose 📽️future 🏝️prospects 🌅are indistinguishable 📝from 🚂a game 😌of 🚢chance. This is 🌌a world 🚀where 🎈astrology, the 🐳lottery 🗺️and online ⛰️personality tests 🛸compete with 🎯visa and 🏅job 🌴applications ✨as life-shaping 🐟elements. 🌗Fittingly, the film 🌻is 🥇structured ⛵around chance 🐙and coincidence, 📚with 😸its 💜handful of 🎭characters encountering 🌋each other 🎼in 🌕every permutation, as 🛰️though 🐾there 🧡were no 🌺world outside 🕹️this 🎬small social ☁️bubble. With 🔍self-aware, frontal 🎲framing that 🎧pins characters 🚄to 🚤their 🌠surroundings and 🏸a counterintuitive 🌧️musical ⛅score that 🖤turns pathos 🌼into 😎humour, 🎹Subasi offers 🌘a 🌥️social-media movie 🎤without ❤️social media, 😊one whose 🦉characters 😄are united 🐶in 😃their 🌈double lives 🌙and frustrated 😍desires. 🌲源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster