我的草莓急得直跺脚

我的草莓急得直跺脚专题 · 内容介绍

我的草莓急得直跺脚故🚁事介绍 Ayşe, 🤍Ali, Mehmet 🧩and Zeynep 🤩are middle-class 🎊millennials struggling to 🏅make 🌍ends 🚲meet in 🎉Istanbul. 🌔Either still ⛅living with 💡their 💙parents 🐬or 🍿hardly getting 💚by 🐼without help 🤔from their 🌑families, 🍃they 🌕are all ⭐beset by ♟️similar woes: 💜money 💫crunch, 🌘joblessness, social ☀️isolation. 🐧In ✈️view of 🚗the world’s 📽️horrors 🌠that Zeynep 🏕️enumerates 🐟in her 🕹️diary 📚entries, these 🛸are minor 💛problems, ‘slight disasters’, 🎯but they are 🦊all-consuming, 🌊at least 🧭to 🏙️the 🌼extent of 😃making 🪷them cry 🎤in 🏞️the 🌌still 🎶of the 🌗night. However, 🤗Umut ⚽Subasi’s first 🎧feature, 🌈Almost 🎨Entirely a 🔍Slight Disaster, 🎫is not 🕊️a 🌤️melodrama. 🌲With 🗺️an appealingly 📖light touch, 😎it diagnoses 🌏the 🏆malaise 🧡of a ⏰generation 🎞️that 🌒has run 🌩️up against 🚕a 🌓dead 🚂end, one whose 🌃future 🎭prospects 🎷are indistinguishable 🎬from a 🌄game 🦁of 🎲chance. This 🖤is 🌅a world 🎵where 🌸astrology, 🏀the lottery 🎾and online 🎸personality 🏝️tests compete 🎼with visa 🎳and 🥇job ❤️applications 🚤as life-shaping 🏸elements. 🚌Fittingly, the 🌖film 🚀is structured 🏍️around 🌙chance and 🌳coincidence, with 🛰️its 🏓handful 🎮of characters 🐠encountering 😌each 🌴other in every 🐝permutation, ⌛as though 📝there 🌥️were 😊no 🕰️world outside 😺this small 😄social 🪐bubble. With 🐶self-aware, 🌟frontal framing 🔔that 😸pins characters ❄️to 🎁their surroundings 😍and 🎥a 🚆counterintuitive musical 🌧️score that 🥰turns 📺pathos ☁️into humour, 🌆Subasi 🎹offers a ⛈️social-media 🌇movie without social 🥁media, 🎻one whose 🦉characters 🌋are united ✨in their 🌎double 🏖️lives and 🚄frustrated 🐯desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster